The Horror at the Museum | Arkham Horror 2nd Edition | Turn 10: How D'ya Like Them Apples?

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|| CatWeazle Twitter - https://goo.gl/pzYNGv || CatWeazle Instagram - https://bit.ly/30GKA8i || CatWeazle Facebook Group - https://www.facebook.com/groups/15564... || Tip CatWeazle a Brew @ KoFi - https://ko-fi.com/catweazle || Intro Ends 0:50 Rogers paused, felt around in his desk, and produced an envelope of good-sized photographic prints. Extracting one and laying it face down before him, he handed the rest to Jones. The set was certainly an odd one: ice-clad hills, dog sledges, men in furs, and vast tumbled ruins against a background of snow—ruins whose bizarre outlines and enormous stone blocks could hardly be accounted for. One flashlight view shewed an incredible interior chamber with wild carvings and a curious throne whose proportion could not have been designed for a human occupant. The carvings on the gigantic masonry—high walls and peculiar vaulting overhead—were mainly symbolic, and involved both wholly unknown designs and certain hieroglyphs darkly cited in obscene legends. Over the throne loomed the same dreadful symbol which was now painted on the workroom wall above the padlocked plank door. Jones darted a nervous glance at the closed portal. Assuredly, Rogers had been to strange places and had seen strange things. Yet this mad interior picture might easily be a fraud—taken from a very clever stage setting. One must not be too credulous. But Rogers was continuing: “Well, we shipped the box from Nome and got to London without any trouble. That was the first time we’d ever brought back anything that had a chance of coming alive. I didn’t put It on display, because there were more important things to do for It. It needed the nourishment of sacrifice, for It was a god. Of course I couldn’t get It the sort of sacrifices which It used to have in Its day, for such things don’t exist now. But there were other things which might do. The blood is the life, you know. Even the lemurs and elementals that are older than the earth will come when the blood of men or beasts is offered under the right conditions.” The expression on the narrator’s face was growing very alarming and repulsive, so that Jones fidgeted involuntarily in his chair. Rogers seemed to notice his guest’s nervousness, and continued with a distinctly evil smile. “It was last year that I got It, and ever since then I’ve been trying rites and sacrifices. Orabona hasn’t been much help, for he was always against the idea of waking It. He hates It—probably because he’s afraid of what It will come to mean. He carries a pistol all the time to protect himself—fool, as if there were human protection against It! If I ever see him draw that pistol, I’ll strangle him. He wanted me to kill It and make an effigy of It. But I’ve stuck by my plans, and I’m coming out on top in spite of all the cowards like Orabona and damned sniggering sceptics like you, Jones! I’ve chanted the rites and made certain sacrifices, and last week the transition came. The sacrifice was—received and enjoyed!” ~ The Horror in the Museum by H. P. Lovecraft (for Hazel Heald) “Curse of the Scarab” by Kevin Macleod (incompetech.com) Licensed under Creative Commons: by Attribution 4.0 licence http://creativecommons.org/licenses/by/4.0/ Wolfpack 48’s Arkham Horror Thematic Scenario Project: https://rpggeek.com/filepage/136757/arkham-horror-thematic-scenario-project