The Horror at the Museum | Arkham Horror 2nd Edition | FINAL EPIC BATTLE Part 02

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|| CatWeazle Twitter - https://goo.gl/pzYNGv || CatWeazle Instagram - https://bit.ly/30GKA8i || CatWeazle Facebook Group - https://www.facebook.com/groups/15564... || Tip CatWeazle a Brew @ KoFi - https://ko-fi.com/catweazle || Intro Ends 0:50 Later, in the utter blackness of the great arched cellar, Jones cursed the childish naiveté which had brought him there. For the first half-hour he had kept flashing on his pocket-light at intervals, but now just sitting in the dark on one of the visitors’ benches had become a more nerve-racking thing. Every time the beam shot out it lighted up some morbid, grotesque object—a guillotine, a nameless hybrid monster, a pasty-bearded face crafty with evil, a body with red torrents streaming from a severed throat. Jones knew that no sinister reality was attached to these things, but after that first half-hour he preferred not to see them. Why he had bothered to humour that madman he could scarcely imagine. It would have been much simpler merely to have let him alone, or to have called in a mental specialist. Probably, he reflected, it was the fellow-feeling of one artist for another. There was so much genius in Rogers that he deserved every possible chance to be helped quietly out of his growing mania. Any man who could imagine and construct the incredibly life-like things that he had produced was surely not far from actual greatness. He had the fancy of a Sime or a Doré joined to the minute, scientific craftsmanship of a Blatschka. Indeed, he had done for the world of nightmare what the Blatschkas with their marvellously accurate plant models of finely wrought and coloured glass had done for the world of botany. At midnight the strokes of a distant clock filtered through the darkness, and Jones felt cheered by the message from a still-surviving outside world. The vaulted museum chamber was like a tomb—ghastly in its utter solitude. Even a mouse would be cheering company; yet Rogers had once boasted that—for “certain reasons”, as he said—no mice or even insects ever came near the place. That was very curious, yet it seemed to be true. The deadness and silence were virtually complete. If only something would make a sound! He shuffled his feet, and the echoes came spectrally out of the absolute stillness. He coughed, but there was something mocking in the staccato reverberations. He could not, he vowed, begin talking to himself. That meant nervous disintegration. Time seemed to pass with abnormal and disconcerting slowness. He could have sworn that hours had elapsed since he last flashed the light on his watch, yet here was only the stroke of midnight. He wished that his senses were not so preternaturally keen. Something in the darkness and stillness seemed to have sharpened them, so that they responded to faint intimations hardly strong enough to be called true impressions. His ears seemed at times to catch a faint, elusive susurrus which could not quite be identified with the nocturnal hum of the squalid streets outside, and he thought of vague, irrelevant things like the music of the spheres and the unknown, inaccessible life of alien dimensions pressing on our own. Rogers often speculated about such things. The floating specks of light in his blackness-drowned eyes seemed inclined to take on curious symmetries of pattern and motion. He had often wondered about those strange rays from the unplumbed abyss which scintillate before us in the absence of all earthly illumination, but he had never known any that behaved just as these were behaving. They lacked the restful aimlessness of ordinary light-specks—suggesting some will and purpose remote from any terrestrial conception. ~ The Horror in the Museum by H. P. Lovecraft (for Hazel Heald) “Curse of the Scarab” by Kevin Macleod (incompetech.com) Licensed under Creative Commons: by Attribution 4.0 licence http://creativecommons.org/licenses/by/4.0/ "Jaunty Gumption" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/